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Review: The recent rebirth of DJ Friction's long dormant Replay imprint is good news for those looking for high quality, sympathetic re-edits of stone cold classics. Having previously delivered two tasty tweaks of Gino Soccio classics, he now turns his attention to Yardborough & Peoples' electrofunk killer 'Don't Stop The Music' and Afro-Cuban Band's largely slept-on 'Something's Gotta Give'.

The former is expertly teased and stretched out to nigh on nine minutes, giving time for the incredible groove to breath. The latter, a sumptuous chunk of string-laden disco-soul, is dubbed out a touch, with clever extensions to the breaks and cuts in all the right places.

Thankfully, the original's superb vocal remains in tact. Review: It's nice to see DJ Friction re-launching his hush-hush edits imprint Replay, which has lain dormant since 2005. For two years before that, the label released some simple but killer re-edits of soul, funk, boogie, disco and rare groove jams. On this first 2013 outing, Friction (under his Frico guise) takes his rusty scalpel to two tracks from Italian disco legend Gino Soccio. On the (virtual) A, 'Dancer' gets the treatment, with Friction cleverly building dancefloor pressure thanks to a few well-timed groove extensions, cuts and well-executed delays. It's the same deal on the flip, where 'It's Alright' gets straightened up, remastered and rearranged to perfection.

Review: It may have been a hot minute since DJ Friction last fired up his sizzling Replay edit-loaded imprint, but now it's back in action with the man himself donning his Frico alias to drop two soul-stirring versions to keep you warm the whole night through. First up on the chopping board is Rasa's 'When Will The Day Come', the rare meeting between soul music and Hare Krishnas, draped in heavenly Philly strings and that arresting vocal delivery. Gregg Diamond and Luther Vandross's bittersweet 'Hot Butterfly' is up next, delivering the original in a pristine condition that does the absolute minimum to make the cut work on a contemporary floor.

Review: There's an enviable reliability about the quality of veteran producer Martin 'Frico' Welzer's re-edits. Mind you, he's been wielding a scalpel longer than most, having launched the edit-focused Replay Records imprint way back in 2003.

Here he delivers two more high quality rearrangements in his typically reverential style. 'Freakin Time' kicks things off, delivering a heady extension and re-shuffle of Funk Fusion Band's disco-funk classic 'Can You Feel It'. 'Keep On Smilin' sees his reach for the dub delay, in the process turning Carrie Lucas's 'I Gotta Keep Dancin' (Keep Smiling)' into a New York style 1980s disco dub.

It's superb, and easily worth the entrance price on its own. Review: Martin 'Frico' Welzer is one of the nu-disco scene's longest serving editors, having put out his first rare groove reworks on Replay Records back in 2003.

His re-edits are usually relatively faithful to the source material, offering astute rearrangements - sometimes with a touch of delay, or the odd filter sweep - that steer clear of cheap thrills. That's certainly the case on his latest pair of tasty tweaks. 'Work That Body' is a killer, nine-minute chunk of jazz-funk influenced disco-funk, with well-judged instrumental sections and extended drum breaks eventually giving way to sweaty vocal sections. On 'Jump For Joy' he presses the button marked 'carefree disco fun', expertly cutting up a vintage Jackson Five cut for maximum dancefloor pleasure.

Review: This time round Replay boss DJ Friction (aka Frico) is taking a whirl with another label, releasing 'I'll Do My Best' through increasingly popular We Mean Disco! First up he tackles 'I Owe You One', a pulsating early anthem by '80s glitter-soul heroes Shalamar. From there classic US female act The Ritchie Family's 1982 electro-boogie sizzler 'I'll Do My Best For You' get muscled and stretched. That's not all: we also get the elastic bass twangfest 'I've Been Watching You' and the piano samba lounge-soul of 'I Want You'. A quality re-edit package. Review: It's party o'clock round the Replay offices right about now with label boss DJ Friction (aka Frico) celebrating his imprint's tenth anniversary.

A decade in the music game is no mean feat, and listening through the 13 tracks selected here you can hear how it's the quality of the edits that's got them where they are now. Highlights include the hazy scratchy take on 'It's A Family Affair', the peaks and troughs rearrangement of 'Is It All Over My Face' and the dreamy Italo disco of 'It's Alright'. Here's to the next ten years! Review: Block rocking party beats abound! Frico's edit of 'Big Apple Rappin' by Spyder D is a classic that name drops everyone of the time from Bootsy Collins to even Larry Levan on this Sugarhill Gang like joint! This edit is executed in an ergonomic and modern way for new school DJs and done well, we do say. He also lends his hand to a 1980 classic, Harlem World Crew's 'Rapper's Convention' a fine example of early disco inspired hip-hop from NYC and once again given a fine, modern re-edit from Frico aka DJ Friction from Ludwigsburg, Germany.

In case you were wondering! Review: Ciao Bella! Looks like DJ Friction has slinked himself back into his disco Lycra bodysuit as he once again dons the Frico moniker, this time for a selection of Italo Disco re-edits. The Italo disco revival reached its peak a good 10 years ago, but that doesn't stuff these tracks being still fun to hear. Naturally purists won't approve of these '80s classics being fiddled with, but the legendary arpeggiated neon riffs of 'Feel The Drive' by Doctor's Cat, 'Woman' by Mirage and the spacey 'Up & Away' are hard to resist - edited or not! Review: Given that he's now well into his second decade as a re-editor, it's perhaps unsurprising that DJ Friction's edits for his Replay Records imprint - always credited to his alternative Frico alias - are rarely less than killer. Here he delivers two more typically reverential gems, doing little more than re-arranging the original material and adding well-positioned effects here and there.

'Make Up Your Mind' is a sweet, synth-heavy boogie roller that comes complete with a heart-aching vocal, and subtle extensions in all the right places. Even better is 'Touch Your Life', a pleasingly dubby, floor-friendly tweak of an obscure boogie-soul cut full of tumbling synthesizer solos and eyes-closed chords. Review: To celebrate the first 10 years of his occasional Replay Records re-edit series, DJ Friction has decided to collect together some of his finest re-edits for the imprints under the Frico moniker. There's naturally much to enjoy, from brilliant '80s NYC style re-dubs of D-Train's 'Keep On' and Exodus's 'Together Forever' (the latter stretched out to a trippy 13 minutes), to party-friendly cuts of soul and funk classics from Spanky Wilson (the superbly choppy 'Sunshine of Your Love') and Peggy Lee (a riotous rework of her classic over of Otis Redding classic 'Sittin' on the Dock of the Bay'). Friction is, unsurprisingly, reverential to the source material while adding just enough fancy effects and production tricks to emphasize each track's dancefloor potential.

Review: Before the world went re-edit crazy, Frico AKA DJ Friction was putting out rock-solid 12' singles of solid scalpel reworks. These days, he rarely bothers with wax, but his appetite for re-editing classics and little known cuts remains. His latest two-track offering is typically tasteful, delivering life-affirming reworks of the artist forever known as the King of Pop.

Both 'Everybody' and 'Lovely One' are typical of Quincy Jones' productions during the disco era, with darting horn lines and sweeping orchestral movements wrapping themselves around killer grooves. Frico's edits extend the tracks in all the right places, with the producer wisely choosing to retain the familiar vocals whilst offering club-friendly arrangements. As a result, both edits sound like party anthems in waiting. Review: While re-editors come and go, Frico AKA DJ Friction has been serving up fine re-edits in regular intervals for the best part of 15 years. The two scalpel jobs showcased here are arguably amongst his most impressive to date. As the title suggests, 'Dance, Dance, Dance' is a rework of a particularly well-known New York disco milestone. While faithful to the original in the opening stages, it gets a little more dubbed-out and eccentric over the course of its near 10-minute duration, with Frico giving greater prominence to the instrumental elements and drum breaks.

Hit the virtual flipside for 'So You Wanna Be A Star', a tasteful rearrangement of boogie-era disco shuffler laden with wiggly synthesizers and bold vocals. Review: More from long serving German scalpel fiend Frico (AKA DJ Friction), a producer whose re-edits are consistently amongst the best around. This time he's in a slow and seductive kind of mood, serving up tasty rearrangements of simmering, hip-hop tempo boogie and '80s soul jams. First up is 'What's On Your Mind', an evocative, eyes-closed love song smothered in impassioned vocals, darting horns and jazzy, George Benson style guitars and freestyle vocalizing. 'I Don't Need Somebody Else' is a slightly more disco-fied affair, albeit a suitably smooth one. There are more headline-grabbing vocals, but also some stellar disco style orchestration and subtle solos aplenty. Smart work, Frico.

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