We apologize for the inconvenience.but your activity and behavior on this site made us think that you are a bot. Note: A number of things could be going on here 1. If you are attempting to access this site using an anonymous Private/Proxy network, please disable that and try accessing site again. Due to previously detected malicious behavior which originated from the network you're using, please request unblock to site.

However if you are frequently getting CAPTCHA or if you feel that you have reached this page in error, please copying below ID in the email. '7996fd750b6cce8c9c68cde87ad0dec1c6ff6b18' Solve the CAPTCHA to request unblock to website.

Although most of the material recorded during Chuck's work with the Chess brothers had been published until 1966, later re-issues and records provided additional material from these recording sessions. In addition there are some live recordings from this era which have not been released on Chess but on.

• ' Released: June, 1972 • 'Reelin' And Rockin' Released: November, 1972 Professional ratings Review scores Source Rating C− The London Chuck Berry Sessions is an album of studio recordings and live recordings by, released by in October 1972. Side one of the album consists of studio recordings, engineered by Geoff Calver; side two features three live performances recorded by the Pye Mobile Unit, engineered by Alan Perkins, on February 3, 1972, at the Lanchester Arts Festival in.

At the end of the live section, the recording includes the sounds of festival management trying in vain to get the audience to leave so that the next performers,, can take the stage; the crowd begins chanting 'We want Chuck!' ', from the live side of the album, was edited to approximately 4 minutes for release as a single. It was Berry's first and only single to reach number 1 in both the US and the UK. Contents • • • • • • • • • • • • • Background [ ] In May 1970, traveled to in,, to record songs for. The album was released in August 1971 and peaked at number 28 on magazine's chart and number 79 on the. Because of Wolf's success, recorded his own London Sessions album in December 1971, and Berry did the same in 1972.

Critical reception [ ] William Ruhlmann of called the album Chuck Berry's 'commercial, if not artistic, peak'. Thinks the album is of bad quality, that his voice is croaky and the studio material only fillers. Commercial performance [ ] The album was not even out for a month, when on October 27, 1972, The London Chuck Berry Sessions was certified gold by the with sales of 1,000,000 units. It is Berry's only album to be certified by the RIAA. Track listing [ ] All songs written by Chuck Berry except as noted Side one (studio recordings) • 'Let's Boogie' – 3:10 • ' () – 5:45 • 'I Will Not Let You Go' – 2:49 • 'London Berry Blues' – 5:55 • 'I Love You' – 3:26 Side two (live recordings) • ' – 7:07 • ' () – 11:33 • ' – 4:23 The release on cassette exchanged 'I Love You' and ' to create sides of near-equal length.

This version of 'Johnny B. Goode' replaces the first verse of the original with the first verse of 'Bye Bye Johnny'. • ^ Rudolph, Dietmar.. Retrieved November 28, 2010. • ^ The London Chuck Berry Sessions (Vinyl sleeve)..:.

Inner sleeve notes. • ^ Ruhlmann, William....

Retrieved November 28, 2010. Retrieved November 28, 2010. • (CD liner)..

United States:. 088 112 985-2. • Schumacher, Michael (1995). 'Chapter 6: Why Does Love Got to Be So Sad?

Crossroads: The Life and Music of Eric Clapton. Retrieved January 10, 2011. • Type 'Chuck Berry' under Artist for search results. Retrieved November 28, 2010. Retrieved November 1, 2017. Retrieved November 2, 2017. External links [ ] • at (list of releases).