The of Adobe Caslon Pro Caslon refers to a number of designed by (1692–1766), and various revivals thereof. Caslon shares the irregularity characteristic of Dutch Baroque types. It is characterized by short ascenders and descenders, bracketed serifs, moderately-high contrast, robust texture, and moderate modulation of stroke.

Adobe Caslon Pro Type Specimen Poster taken from William Caslon http. Caslon Made in: 1728 Typographer: William Caslon I Two History Events: At the Battle of Palkhed, Maratha Peshwa Bajirao I defeats the Mughal Governor of. A serif typeface with 6 styles, available from Adobe Typekit for sync and web use. Typekit is the easiest way to bring great type into your workflow, wherever you are.

The A has a concave hollow at the apex, the G is without a spur. Caslon's italics have a rhythmic calligraphic stoke. Characters A, V, and W have an acute slant. The lowercase italic p, q, v, w, and z all have a suggestion of a swash. Contents • • • • • • • • • • • • • • • • • • • • • • • History Caslon's earliest design dates to 1722. Edimax Nlite Wireless Usb Adapter Driver Win7. Caslon is cited as the first original typeface of English origin, but some type historians point out the close similarity of Caslon's design to.

The Caslon types were distributed throughout the British Empire, including British North America. Much of the decayed appearance of early American printing is thought to be due to oxidation caused by long exposure to seawater during transport from England to the Americas. Caslon's types were immediately successful and used in many historic documents, including the.

After William Caslon I’s death, the use of his types diminished, but saw a revival between 1840–80 as a part of the British. The Caslon design is still widely used today. For many years a common of printers and typesetters was 'when in doubt, use Caslon,' particularly if no typeface was specified. Several revivals of Caslon do not include a bold weight.

This is because it was unusual practice to use bold weights in typesetting during the 18th century, and Caslon never designed one. For emphasis, italics or a larger point size, and sometimes caps and small caps would be used instead. Revivals With the rise of beginning at the close of the 19th century, existing foundry metal typefaces such as Caslon's had to be adapted to specific typesetting technology. This was true again with, mostly in the 1960s and 1970s, and then again with digital typesetting technology, mostly since the mid 1980s. As a result of that, and the lack of trademark on the name 'Caslon' by itself, there are many typefaces called 'Caslon' with some other distinguishing element, which reproduce the original designs in varying degrees of faithfulness.

Caslon Old Face Caslon Old Face nowadays is a generic term used to describe a typeface that appears to be true to those designed by William Caslon himself. Originally it referred to the Caslon matrices and type which were property of the H.W. Caslon & Sons foundry. In 1937 the H.W. Caslon & Sons foundry was acquired by Stephenson Blake & Co who thereafter added 'the Caslon Letter Foundry' to their name. George Ostrochulski adapted the designs from Stephenson Blake & Co for photocomposition at with skill and understanding during the 1950s.

A variety of typefaces called Caslon Old Face are available commercially. Visual differences exist between typefaces from different companies and the authenticity of some of these typefaces is debatable. ITC Founder's Caslon (1998) ITC Founder's Caslon was digitized by Justin Howes. He used the resources of the St. Bride Printing Library in London to thoroughly research William Caslon and his types.

Unlike previous digital revivals, this family closely follows the tradition of building separate typefaces intended for different sizes, despite the use of scalable typefaces in the digital counterpart. This family was released by ITC in December 1998.

It includes separate fonts for 12 point, 30 point, 42 point, and Poster sizes, and a typeface for ornaments. Also following the original Caslon types, it does not include bold typefaces, but uses old style figures for all numbers. Another feature in the Windows TrueType version of the typeface is the allocation of extra ligatures and alternate forms to Basic Latin and ISO Latin-1 blocks, replacing ,, =.

The OpenType Std version of the typeface adds small caps to the family and updates the character set to support the Adobe Western 2 character set. Caslon version Following the release of ITC Founder's Caslon, Justin Howes revived the H.W. Caslon & Company name, and released an expanded version of the ITC typefaces under the Founders Caslon name. Caslon Old Face is a typeface with multiple optical sizes, including 8, 10, 12, 14, 18, 22, 24, 30, 36, 42, 48, 60, 72, 96 points.

Each font has small capitals, long esses and swash characters. The 96 point font came in roman only and without small capitals. Caslon Old Face was released in July 2001. Caslon Ornaments is a typeface containing ornament glyphs. These typefaces are packaged in the following formats: • Founders Caslon 1776: Caslon Old Face (14), Caslon Ornaments. • Founders Caslon Text: Caslon Old Face (8, 10, 12, 14, 18), Caslon Ornaments.

• Founders Caslon Display: Caslon Old Face (22, 24, 30, 36, 42, 48, 60, 72), Caslon Ornaments. However, following the death of Justin Howes, the revived H.W. Caslon & Company went out of business, and the expanded Founders Caslon is no longer offered in the retail market.

LTC Caslon (2005) LTC Caslon is a remastering of the Lanston Type Company's 14 point size of their revival of Lanston Monotype's Caslon 337 of 1915 (itself a revival of the original Caslon types). This family include fonts in 2 weights, complementary italics, and long descender typefaces The character sets are expanded to include fractions, ligatures, swashes (italics only), and Central European characters. LTC Caslon Remix The LTC Caslon Remix typeface is a variant of LTC Caslon Pro found in the P22 Records music CD William Caslon Experience, an album by The William Caslon Experience (Nate Butler, Mart Schaefer) remixed by Odiorne. The CD is included with the purchase of the LTC Caslon family.

• According to, Adobe's webpage for its iteration of Caslon • ^ • • • • • • • • • • • Carter, Rob, Day, Ben, and Phillip Meggs. Typography Design: Form and Communication. John Willey & Sons, Inc.: 1993. ISBN 0-471-28430-0 • Friedl, Friedrich, Nicolaus Ott and Bernard Stein. Typography, An Encyclopedic Survey of Type Design and Techniques throughout History. Black Dog & Leventhal: 1998. ISBN 1-57912-023-7 • Lawson, Alexander S.,.

Godine: 1990. • Meggs, Phillip B, McKelvey, Roy. Revival of the Fittest: Digital Versions of Classic Typefaces. RC Publications, Inc.2000. ISBN 1-883915-08-2 • [4] Nesbitt, Alexander The History and Technique of Lettering (c) 1998, ISBN, The Dover edition is an abridged and corrected republication of the work originally published in 1950 by Prentice-Hall, Inc.

Under the title Lettering: The History and Technique of Lettering as Design. • Updike, Daniel Berkeley.

Printing Types: Their History, Forms, and Use. Dover Publications, Inc.: 1980. ISBN 0-486-23929-2 External links • • • • • • • • •.

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