North American cover art Distributor(s) Director(s) Katsura Hashino Kazuyuki Yamai (Maniax) Kouji Okada Eiji Ishida Writer(s) Shogo Isogai Nakaji Kimura Shigeo Komori Kazuyuki Yamai Toshiko Tasaki Kenichi Tsuchiya Series Release date(s) Nocturne Nocturne Maniax Nocturne Maniax Chronicle Mode(s) Shin Megami Tensei: Nocturne, known as Shin Megami Tensei III: Nocturne in Japan, and Shin Megami Tensei: Lucifer's Call in Europe, is a Japanese for the. It was developed by, published by Atlus in Japan and North America, and by in Europe. It is the third entry in the Shin Megami Tensei series, the central series in the franchise. Multiple versions of the game have been published: the original version was published in Japan by Atlus in 2003, while a was released in 2004 in Japan.

Shin Megami Tensei: Nocturne. From Devil May Cry) and lastly Nocturne Maniax - Chronicle Edition. The Chronicles Edition of Shin Megami Tensei III into. According to Wikipedia, there is another version of Nocturne called 'Shin Megami Tensei III: Nocturne Maniax Chronicle Edition' that was bundled with Devil Summoner 2. What is this? Wikipedia says that an SMT character replaces Dante in that version. Is that the only difference? PSN: KoiNoDensetsu.

The director's cut was localized and released in North America and Europe in 2004 and 2005 respectively. Nocturne follows the, a high school student in modern-day Tokyo, as he is transformed into a half-demon after the world undergoes Conception, an apocalyptic event triggered by a sinister cult to trigger the world's rebirth in a new form. With Tokyo transformed into a Vortex World filled with demons, the player character becomes instrumental to the schemes of the Reasons, beings who seek to remake the world in their image, and Lucifer, the lord of demons. The gameplay uses a turn-based battle system based on exploiting weaknesses, and a Demon recruitment system allowing the player to recruit demons found in the Vortex World to fight alongside them. The game was conceived after the completion of and, but was delayed as the team worked out what they wanted for the game, including making it appeal to a wider audience than previous Megami Tensei games. Unlike the science fiction setting of Shin Megami Tensei II, Nocturne returned to a contemporary setting similar to the original game.

The setting and characters were inspired by multiple elements, including,, and modern popular culture. Among the things the team changed from previous entries were the camera perspective, which was switched from a first- to a third-person camera perspective, and using a cel-shaded art style to distinguish it from other games of the time. The music, primarily composed by, paid homage to earlier Megami Tensei titles while drawing on music of the 1980s. The original edition of Nocturne released in Japan to strong sales and a positive critical reception, and the limited director's cut proved so popular that Atlus made a second print in response to fan demand.

It also inspired a and in Japan. The director's cut was the version chosen for localization, making Nocturne the first mainline Shin Megami Tensei game to be released in the west. The game was well received by video game publications, who praised its gameplay and atmosphere while its challenging difficulty was often a subject of criticism. It has been recognized by western publications as one of the best games of 2004.

Contents • • • • • • • • • • • • • • Gameplay Shin Megami Tensei: Nocturne is a set in a post-apocalyptic version of modern-day: aside from the opening segment, post-apocalyptic Tokyo, also known as the Vortex World, is the main setting. From the outset, the player can select two difficulty settings: Normal and Hard. The player controls a who can be named by the player. The player navigates the Vortex World through both a 2D world map, and to-scale 3D environments used in dungeon environments. While navigating the world map, the Protagonist's party and other NPCs, interactive objects and landmarks are represented by symbols: these objects and NPCs include containers holding items, spirits that will heal the party, and. A globe in the bottom left hand corner of the screen shows the party's approximate location on the world map. During dungeon navigation, the Protagonist navigates grid-based, multi-leveled areas.

Different areas are accessed via doors, and as the Protagonist progresses the area is automatically mapped. While exploring dungeoons, the in-game camera can be freely rotated, and a 'Look' action allows the player to see environments in first-person. In both navigation modes, an indicator in the bottom right-hand corner of the screen indicates the presence of enemies and the likelihood of a battle being triggered. An indicator in the top left-hand corner also shows the current 'phase' of Kagutsuchi, a moon-like object hovering in the sky of the Vortex World which shifts its phase as the Protagonist explores.

The game world can be navigated either on foot or by using a fast travel system unlocked at a certain point in the game. Fast travel is accessed at Terminals, which also act as the game's save points. In addition to these are safe zones where the player can purchase new items, or heal their party and remove ailments inflicted during battle. An optional location separate from the Vortex World is the Amala Labyrinth, accessed after the Protagonist has reached a certain point in the story. The Labyrinth is a dungeon divided into multiple floors or Kalpa, each housing both demon enemies and brokers which sell demons to the Protagonist.

Each Kalpa is connected by a Warp Zone, in which the Protagonist can collect currency and items while avoiding or destroying obstacles. Proceeding through the levels of the Labyrinth requires the protagonist to find and fight Fiends carrying Candelabra, which unlock barriers. The Candelabra also act as a means of locating and either engaging or avoiding Fiends. A battle in Shin Megami Tensei: Nocturne where the player is using the main character (now under control) and a party of three demons.

The blue icons from the top right indicate how many turns the players have left. Standard battles are initiated through random encounters, which trigger a transition into a dedicated battle arena. Battles are governed by a turn-based mechanic called the 'Press Turn' system.

Each character participating in combat, friend and foe alike, provides one or more Press Turns (more usually denoting a boss) represented in the upper right-hand corner of the screen as icons. The rule behind this system is that any action, such as attacking, using skills, items, contacting demons and summoning commands, will normally cost one full turn. But if a combatant scores a critical hit, exploits their opponent's weakness, or passes on making an action, their turn will be considered 'half used', which is marked by a pulsating Press Turn icon. These half used turns allow a character to do anything that a regular turn can but will always expire, even if a 'half turn' option is again selected. If an attack fails (either by missing, repelling, draining, or blocking,) however, it will penalize the combatant by losing multiple Press Turn icons. Demon conversation A key theme in Nocturne is that of demon conversation.

Since the Demi-fiend can only (normally) have one press turn by himself, he must gain allies to fight alongside him in order to have a better chance of survival. Leveling up particular Magatama can also affect demonic conversations with particular demon types. Demon negotiation is a unique system in which the speaker (usually, but not always, the Demi-fiend) tries to persuade an enemy demon to join their party. Some demons can be bribed with money or items, while others may only ask a philosophical question ('Do you envy how plants live?' Some can be seduced by a beautiful speaker, some can be flattered, and some will join you without a moment's hesitation. These demons can also be fused to create stronger creatures and the state of the moon or 'Kagutsuchi' can provide stronger creations. Synopsis Setting and characters The setting and events of Shin Megami Tensei: Nocturne takes place separately from the rest of the Megami Tensei series.

The game takes place in modern-day Tokyo before and after an event called the Conception, in which the normal world is destroyed through the actions of a cult to prevent the world's stagnation and ultimate demise. Tokyo is transformed into a wasteland on the inside of a sphere inhabited by the spirits of humans who died in the Conception; demons who wage war with each other; and Reasons, deity-like beings formed from the gathering of Magatama by people with a deity or demon sponsor. Those who possess Reasons seek to remake the world in their image by presenting themselves to Kagutsuchi, a semi-sentient manifestation of power which exists to perpetuate the destruction and rebirth of worlds through Conception, and proving their worth. Another realm mentioned in the story is the Shadow Vortex, a limbo where dead worlds and the beings who created them linger.

The nameless main protagonist is the player character: generally dubbed the Demi-fiend, he is an 'everyday man' who represents the player. Several other characters survive the opening events of the game alongside him, many of them representing the various routes the player can choose to take. They are Yuko Takao, his teacher and a key figure in future events; his classmates Chiaki Hayasaka and Isamu Nitta; and Hikawa, leader of the Cult of Gaea and later the Assembly of Nihilo. Other characters include Jyoji Hijiri, a journalist the protagonist meets with prior to the Conception; and Futomini, a powerful Manikin seeking to create his own Reason. All the game's events are watched over by, ruler of the demons and the Divine Will's sworn enemy, who takes on multiple forms during the story. Plot The game begins with the main character arriving in Tokyo to meet up with Chiaki and Isamu to visit Takao in hospital. While in the city, the player learns of a confrontation between two cults which resulted in several deaths, and learns details of it from Hijiri when he meets them in the park where the event took place.

Finding the hospital deserted apart from Chiaki and Isamu, the main character searches it, is briefly accosted by Lucifer in his child form, and is almost killed by Hikawa. Saved from Hikawa by Takao, the main character is taken by her to the hospital roof and witnesses the Conception, with Takao saying the resulting Vortex World will remain until the next creation is triggered. In the immediate aftermath, Lucifer contacts the player again and infuses him with a Magatama, wishing to see whether he can lead his armies against the Divine Will. This turns the main character into the Demi-fiend, a being with the powers of a demon and the heart of a human. After escaping from the hospital, the player begins exploring the Vortex World with help from Hijiri.

He learns of two cults who seek to remake the world in their image: Hikawa's Assembly of Nihilo, and a separate organization called the Mantra. Hikawa manages to destroy the Mantras, with Takao as his assistant. The Demi-fiend goes in search for his friends and faces these groups. Both Chiaki and Isamu are distraught by the Vortex World and decide to move on their own rather than relying on their friend's power, while Takao realizes she is being used by Hikawa and decides to go on her own quest to create her desired world. To do this, she allies with Aradia, a former deity from the Shadow Vortex.

After this point, all the supporting characters are seeking to ally with a powerful entity from the Shadow Vortex and create their own Reason, a powerful inner philosophy of life that can be used to mold the new world. To do this, a large quantity of an energy called Magatsuhi is needed, which each character begins hoarding. Hikawa's Shijima Reason wants a world of stillness and conformity in the service of a peaceful world; Chiaki's Yosuga Reason seeks a world where the strong rule supreme and destroy the weak; and Isamu's Musubi Reason wishes for a world where everyone is an individual who creates their own personal world without reliance on others.

Others also attempt to form a Reason, including Futomini, who wishes to free the world's Manikins from their servitude, and Takao, who wants a world where people value life and have freedom. Both die before they can realize their wishes, and Takao gives the Demi-fiend an artifact that will enable him to remake the world. Hijiri, revealed to be a manikin doomed to reborn and suffer repeatedly for an unspecified 'sin', also attempts to gather enough Magatsuhi to remake the world, but is thwarted and sacrificed by Isamu. Additionally, the Demi-fiend can fulfill a request from Lucifer to collect eight Candelabra from Fiends. Choosing to support a Reason will result in a different ending depending on who is chosen, but in each the world is reborn in the image of the chosen Reason after the Demi-fiend fights Kagutsuchi to prove his resolve.

Chiaki and Isamu die before the Demi-fiend begins and give him their blessing in spirit form, while Hikawa accompanies the Demi-fiend into their new world. If Takao's wishes are followed, the Demi-fiend fights Kagutsuchi and the world is returned to its pre-Conception state, resurrecting and restoring all the main characters.

If the Demi-fiend rejects Takao's wishes, Kagutsuchi curses him for allowing the world to die and leaves, leaving the Demi-fiend as the only survivor in a barren world of demons, trapped as it is until another Conception can happen. If the player fulfills Lucifer's request of collecting the Candelabra from the Fiends, Kagutsuchi will attack the player and is eventually destroyed, breaking the Divine Will's control over the worlds. After this, Lucifer fights the player to test his strength, then declares him to be the ultimate weapon in the upcoming war against the Divine Will. Development The concept for a third Shin Megami Tensei title was originally proposed by and others after the completion of the previous two installments, and.

There were originally no plans to continue the Shin Megami Tensei series beyond if., with there instead being plans for an original project. Despite the release of the and consoles, the team took a while to decide what they wanted for the game, the team spent time deciding to create a different kind of game that would appeal to a wider audience than its prequels. Eventually, the team decided that they needed to develop for the to realize their vision. Because of this delay, shifted development focus onto and.

Nocturne was the first Megami Tensei game to make extensive use of 3D graphics, During this early concept stage, many of the staff felt lost as to where they could go with the new project. As part of the research, the team created a 3D test demo featuring the demon Cerberus to test the PlayStation 2 hardware. The demo was created before Nocturne 's contents had been decided upon, as a test on modelling and animating demons. Development on the game began in 2000, with the creation of the first Alpha builds to determine how the main character would move around environments. To finalized their desired aesthetic look, the team created internal tech demos using 3D models of characters from previous Megami Tensei games.

When their vision for the game had been finalized, full development began in 2002, taking approximately one year. Along with Kaneko, series co-creator Kouji Odaka produced the title. The game was directed by Katsura Hashino, his first time in such a position within the Megami Tensei series. While the option of making a direct sequel to Shin Megami Tensei II was considered, Kaneko wanted to return to the contemporary setting of the original Shin Megami Tensei as opposed to the science fiction aesthetic of its sequel.

As it was felt that the game was more than just the third numeric installment, a subtitle was added. Before the final subtitle, ' Nocturne' was added, other subtitles were considered. An early subtitle was Vortex. The game uses a third-person camera perspective rather than the first-person dungeon crawling of earlier installments. One of the reasons for this change was that the developers wanted to focus on the protagonist, who would stand out for being a half-demon.

Another factor was many reports of people suffering from a condition similar to car sickness called '3D sickness' with first person shooters in Japan: the developers wanted players to have something to focus their eyes on. Despite setting the game in contemporary Tokyo, the team chose a cel-shaded art style as they wanted their game to stand out and enable Kaneko to bring the game as close as possible to his original vision. The desired feel of the game design was defined by Odaka as 'simple yet profound'. One of the earlier ideas was to make the Vortex World a vast battlefield where players could see distant scenery on the horizon and in the sky, but performance issues meant the idea had to be scrapped. The Press Turn system was created so battles would feel less sedate than the pure turn-based battle systems of earlier titles. The initial concept was a kind of meter where players and characters were given turns which were extended if a character's weak spot was exposed.

To ensure this did not lead to repetition in battle, a second meter was implemented so enemy characters would become acclimated with an attack that was used too often. As the displays needed for this cluttered up the screen, the concept was revised so a single gauge represented a party's number of turns, with a side's turn being extended if a weakness was exposed or a critical strike happened. As they settled on the rule of one action to one unit, the gauge was replaced with the current icon display. One of the requests given by Odaka was to simplify the gameplay, especially aspects such as demon fusion, which had become fairly convoluted by Shin Megami Tensei II. The equipment system was also redesigned to better fit the setting, and adjusting aspects of demon interaction. A major area within the city of and one of the settings of Nocturne.

Nocturne expanded on the general Megami Tensei theme of people lacking excitement in their everyday lives, with Nocturne focusing on the extraordinary events people could not experience in real life. The team wanted Nocturne to feel like a 'journey into hell' comparable with 's and 's 1979 film. Kaneko was mainly responsible for creating the inverted bubble structure of the Vortex World. This design choice was primarily inspired by similar ideas in, early science fiction, and the, an important scripture within.

In contrast to previous games which offered three routes for the cast, Chaos was the only affiliation of the characters. This was due to the fact the staff saw the Chaos route offered more to the player, and that it would be boring to have the same designs as previous games. It also gave the team more development freedom. Another reason was that Shin Megami Tensei II had already explored a world governed by Law, so it seemed natural to swing the other way and depict a world ruled by Chaos. In addition, Kaneko stated that Nocturne was part of a movement to create a single unified mythos for the Megami Tensei series.

One of the main aspects of incorporating this theme were discussions about the nature of chaos. Odaka's main wish for the title was it to 'go back to the Creation'.

The initial concept of a triggered rebirth to prevent stagnation was suggested by Kaneko upon seeing a change in fashion: after a period of flashy or gaudy clothing tastes, people had begun wearing plain suits. Using this, he thought up the concept of this signalling a stagnation in the world's life energy, necessitating a drastic change.

The game's main setting of in in ruins came from Odaka, who visualized areas like and as good settings. The Reasons were inspired by the team's want to show several styles for living. The Manikins were created as a representation of the 'Vortex' and the war between the Reasons, acting as a mass pressuring for the birth of a new world.

They mirrored the mechanisms of a country with a high population, and were based on the idea of people being overwhelmed by numbers and acts in accordance with a common norm. The overall scenario was written by Shogo Isogai, whose main task was to take Odaka and Kaneko's vision and turn it into a story that would fit into the framework of a traditional Megami Tensei game. One of the concepts that needed to be cut was giant demons battling each other in Tokyo.

The overall concept was so grand that it seemed at times too ambitious, and involved the layering of multiple interactions between different factions and ideals, alongside incorporating the common Megami Tensei narrative features such as multiple endings and the modern-day setting. In keeping with previous entries, the story focused on a single protagonist rather than a group as in other role-playing games of the time to promote full player immersion. The main protagonist was the first character to be created for the games, being featured in the first Alpha build. So as to include a feeling of 'digitality' in the game, the main character was designed as something akin to a human computer. This approach was inspired by the special make-up used in 's 1983 horror film.

While the protagonist was originally designed with keyboards growing from inside him, but as Kaneko felt uncomfortable with that design, he redid the protagonist with full-body tattoos. The tattoos were intended to convey the character's demon powers, act as an obvious stigma in place of wings or horns, and be a reference to real-world shamans who commonly made themselves stand out using tattoos. Kaneko's main inspiration for the main character's design was the American rock band: according to Kaneko, he 'imagined [the main character] running around the desert naked'.

He was initially going to use one of the recurring arm-mounted COMP computers, but as he had already become a demon hybrid, it did not make sense to include it. As he was the character controlled by the player, more focus was given to embodying and reflecting his world view than to developing a personality. In keeping with the game's theme of energy remaking reality, Kaneko dressed his character in comfortable shorts to balance against his tattoos. The spike growing from the main character's neck, the Magatama fused with him at the beginning of the game, was inspired by the theory that a person's aura appears as a shark fin sticking out of the back of their neck when viewed from the side. The supporting characters' personalities were deliberately kept ambiguous to reinforce the desire for player immersion, and giving the game multiple possible story routes to emphasize the importance of the player's decisions. They were also kept to a low number to emphasize their individuality.

The heroine Yuko Takao was intended to be a different type of character to previous main heroines, being a non-playable character from the beginning of story development. She was the only major non-playable character not to have her own Reason. The character of Lucifer was not a standard villain, but rather as a gentlemanly observer who sets tests for the player. To reflect his omnipotent status as God's opposite, he is portrayed in a number of forms, including a child and an old man. Alongside this, the staff wanted to portray demons not only as enemies but as characters the player could relate to and grow attached to when inviting them to their party. One of the key elements for demons designed recycled for earlier games was bringing them into the game and making them as true as possible to the original design while fitting into the game's art style. Music Shin Megami Tensei III: Nocturne Original Soundtrack by, Kenichi Tsuchiya, Toshiko Tasaki and Tsukasa Masuko Released March 5, 2003 Recorded Sony Music Studio Tokyo Length Disc 1: 1: 01: 02 Disc 2: 54:14 Total: 1:55:16 The music for Nocturne was composed by, with additional work by Kenichi Tsuchiya and Toshiko Tasaki.

Mixing was done by Meguro, Tsuchiya, and Tasaki. The soundtrack included tunes from previous Shin Megami Tensei titles composed by Tsukasa Masuko. While composing the music, Meguro attempted to express his feelings when he saw the world while remaining true to the styles established by the original Megami Tensei games.

Taking inspiration from the game's dungeon-battle transitions, and the cut-scenes' combination of current graphics with classic use of subtitles for storytelling, Meguro created modulating tunes which included elements from 1980s music. Meguro also introduced orchestral elements which were absent from previous Megami Tensei scores, using it to emphasize the gameplay's constant shifts between movement and stillness. Meguro generally worked solo on the original version, but for the director's cut, he had help composing new tracks. The majority of tracks from the game were released in an album, Shin Megami Tensei III: Nocturne Original Soundtrack, on March 5, 2003. The album, published by under the catalog number SVWC-7173~4, contained 49 tracks and was 1:55:16.

A second album containing the tracks composed for the director's cut, Shin Megami Tensei III: Nocturne Original Soundtrack extra version, was released on October 26, 2005. Again published by SME Visual Works under the catalog number SVWC-7308, it contained 21 tracks and was 39:04. In North America, selected tracks from the game were released on a promotional CD exclusive to the game's Limited Edition. Versions and merchandise The game was first hinted by an Atlus spokesperson in November 1999, who stated that Atlus was planning an entry in the Megami Tensei franchise for the platform.

The game was eventually announced in September 2002 by the gaming magazine, where it was clarified it was a sequel to previous Shin Megami Tensei games rather than an entry in the spin-off series. Atlus had high hopes for Nocturne 's success, preparing estimated shipments totaling 500,000 units.

The game launched on February 20, 2003. It came in a standard edition, and a limited special edition containing the game's soundtrack and an insence burner modeled after an in-game story component.

In addition, a version exclusive to Japanese media retail shop with a unique cover was released. It was later re-released as part of Sony's on August 5, 2004. An expanded of the game, titled Shin Megami Tensei III: Nocturne Maniax, was released approximately one year after the original version on January 29, 2004 as a limited edition. It was later given a second print run in February that year due to fan demand.

The original release in Japan had to have some planned features cut out, so the staff created Maniax, which included both the cut content and additional features. Among the additional features is an optional dungeon that leads to a sixth ending. The main character from 's series,, appears as a guest character. His inclusion in the game was suggested by a member of the Atlus staff who was a fan of the Devil May Cry series. This idea was approved due to how Dante's job as a demon hunter would fit the setting of Nocturne and thus Atlus created a movie where Dante confronted the game's hero. Capcom was satisfied with this video and allowed Altus to use the character.

A second version of Maniax, Shin Megami Tensei III: Nocturne Maniax Chronicle Edition, was released on October 23, 2008 as part of a Japanese limited edition of: in this version, Dante is replaced by Raidou Kuzunoha, the protagonist of the third title. To commemorate the release of Maniax, a PlayStation 2 memory card decorated with the main protagonist's tattoos was released. A novelization of the game written by Boogey Toumon, Shin Megami Tensei III: Nocturne Chaos, was released on August 20, 2003. A CD Drama based on the game was released on April 23, 2003. A comic anthology adaptation was released by Enterbrain in June 2004.

Localization The original Maniax is the version that was translated and released overseas, as the main director Kazuyuki Yamai believed the enhanced difficulty and the other new features would appeal to the western audience. In addition, the team were encouraged to release it by the success of mature titles in the west such as Grand Theft Auto, and the Maniax edition would give western players the most complete version of the game. The localization was announced in February 2004. This made Nocturne the first main Shin Megami Tensei title to be released outside Japan. It was speculated that this was the reason the numeral III was dropped from the title. Rather than altering the script, Atlus translated it all faithfully from the original Japanese, preserving the original experience as far as possible.

For their work on the game's translation, the localization team were given access to the source files and Japanese strategy guide, which enabled them to avoid mistaking the genders of Kaneko's often highly androgynous designs. According to a later interview, it was said that Atlus had high confidence in the title's overseas release.

For its release in North America, it was given an 'M for Mature' rating by the. In response to this, Atlus' western branch issued a statement saying that they were ensuring that the localized version of the game was true to the Japanese version, including its mature themes and content, as toning anything down 'would [have been] a disservice to the gaming public'. It was the first Atlus title to receive this rating. To promote the game, Atlus USA created a sweepstakes that ran between May and September 2004: the winner received a laptop decorated with the main protagonist's tattoo design, along with a free copy of the game. Due to backlogs at Sony Disc Manufacturing, Atlus delayed the release of the game by over three weeks to October 12. In compensation, DoubleJump Books offered free priority shipping worldwide for their Nocturne guidebook. The publishing rights in Europe were picked up by, who published the game through their then-newly formed subsidiary under the title Shin Megami Tensei: Lucifer's Call.

It released on July 1, 2005. Reception Reception Aggregate scores Aggregator Score 83% 82/100 Review scores Publication Score A- 8/10 36/40 5/5 8.5/10 8.6/10 5/5 RPGFan 92/100 During its first week of release in Japan, Nocturne sold 185,000 units which were equal to 75.7% of its shipment, topping sales charts. By the second week, the game had dropped to seventh place in the charts, selling a further 37,328 units. This brought total sales to just over 190,000. By the end of 2003, it had sold 245,520 units becoming Japan's 49th bestselling game of the year. The Maniax edition was also popular, reaching 5th place in Japanese sales charts in its first week, and remaining in the top ten for a second week. In an interview with Kaneko, 1UP.com noted that the game had not met with sales equivalent to its high review scores.

Later reprints in 2008 and 2009 caused the game to enter the top five PlayStation 2 games on in North America. Critical reception to the game has been positive. The average review score of Shin Megami Tensei: Nocturne is 83.75% while the average score in is of 82 out of 100. The Japanese video game magazine gave it a score of 36/40, earning the magazine's Platinum award and becoming the highest-ranking review score that week.

It received perfect reviews, from both 's Darryl Vassar and 's Michael Beckett who praised the balance between cutscenes and gameplay, giving the player several areas to explore and the multiple challenges, as well as the multiple paths the player can take across the story resulting in high replay value. The game has been praised for its challenging AI and combat system, alongside game labyrinths. The modern setting and dark storyline from Nocturne has also been found refreshing for contrasting common RPG storylines. Similarly, Jeremy Dunham from noted its 'bizarre' story as one of the reasons to play it due to its post-apocalyptic setting.

Beckett also praised the visual style employed by Atlus including Kaneko Kazuma's character designs as well as the design of the Vortex World. On the other hand, the highly challenging battle system has bothered reviewers with Rob Fahey from ultimately finding as a flaw that stopped him from giving the game a near perfect score. 's Bethany Massimilla shared similar feelings noting that despite these drawbacks the game will feel rewarding to players. Despite also noting the game was quite challenging, Beckett found it significantly easier during its last third with the total play time depending on the players' choices when leveling up and obtaining new skills. Besides good critical response in reviews, Nocturne received recognition by publications. Jeremy Dunham from IGN listed it as the seventh best game from 2004.

G4TV also awarded it best RPG from the same year. In RPGamer's awards from 2004 it was ranked third in the Readers' 'Best PlayStation 2' category, and had honorable mentions in the categories for the similar Readers' 'Best Storyline' and 'Graphics' and 'Overall'. In IGN's 'Best of 2004' awards, it was a runnerup for 'Best RPG' and 'Best Story' in the PS2 category.

It was also nominated at the in the 'Best RPG' category. In 2008, listed Nocturne as one of their 'Essential 20' role-playing games, noting how challenging the title could be. Notes and references External links.

• (in Japanese). Retrieved 2012-05-28. CS1 maint: Unrecognized language () •. Retrieved 2014-05-07.

• ↑ Mattich, Ryan (2004-10-01).. From the original on 2015-09-07. Retrieved 2014-03-14. • ↑ Beckett, Michael (2004)... From the original on 2015-09-23. Retrieved 2014-02-24. • ↑ Turner, Benjamin (2004-10-04)...

From the original on 2015-03-25. Retrieved 2016-01-07. • ↑ Dunham, Jeremy (2004-09-23)... From the original on 2015-10-09.

Retrieved 2012-05-28. Shin Megami Tensei: Nocturne North American instruction manual.

Shin Megami Tensei: Nocturne North American instruction manual. Shin Megami Tensei: Nocturne North American instruction manual.

Shin Megami Tensei: Nocturne North American instruction manual. From the original on 2013-08-17. Retrieved 2014-02-21. From the original on 2013-08-17. Retrieved 2014-02-21.

• ↑ Shimamura, Yūsuke... From the original on 2015-05-04. Retrieved 2015-05-04. From the original on 2015-04-15. Retrieved 2014-02-21. • ↑ 'Kazuma Kaneko Art Book III Plus Booklet'.

Turn Csv File Into Xml Schema. 金子一馬画集 III [ Kazuma Kaneko Art Book III]. • ↑ 'Making of Shin Megami Tensei III: Nocturne' Shin Megami Tensei III: Nocturne Special DVD (DVD).. • ↑ 'An Interview By You'. Shin Megami Tensei Nocturne: The Official Strategy Guide.

DoubleJump Publishing. • ↑ [Atlus - Shin Megami Tensei 3: Developer Interview] (in Japanese). Shin Megami Tensei III: Nocturne Japanese Website. Archived from on 2003-02-21. Retrieved 2016-01-02. CS1 maint: Unrecognized language () • Hashino, Katsura (2007-09-27)... From the original on 2012-09-14.

Retrieved 2015-08-22. • Hashino, Katsura (2007-10-11)... From the original on 2014-02-05. Retrieved 2015-08-22.

• Kemps, Heidi (August 2008). 'Game King: An Interview with Kazuma Kaneko'.. Sovereign Media (Vol. 2, Issue 1): 120–123.

• 真・女神転生悪魔事典 [ Shin Megami Tensei Demon Encyclopedia] (in Japanese). CS1 maint: Unrecognized language () •.

From the original on 2015-08-22. Retrieved 2015-08-22. • ↑ Maragos, Nich (2004-09-20)... From the original on 2015-04-15. Retrieved 2015-04-28.

Retrieved 2015-04-30. From the original on 2015-04-15. Retrieved 2014-04-29.

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Retrieved 2015-04-30. • Zdyrko, Dave (1999-11-29)... From the original on 2016-01-05. Retrieved 2014-02-22. From the original on 2016-01-05. Retrieved 2014-02-22.

From the original on 2016-01-05. Retrieved 2014-02-23. • Wollenschlaeger, Alex (2003)... From the original on 2015-04-01.

Retrieved 2016-01-05. From the original on 2013-10-24. Retrieved 2016-01-05. From the original on 2013-10-24. Retrieved 2016-01-05.

• Guisinger, Elliot (2004-12-28)... From the original on 2015-11-22. Retrieved 2015-04-30.

• ↑ Bedigian, Louis... Archived from on 2010-02-22.

Retrieved 2014-02-21. From the original on 2013-05-12. Retrieved 2016-01-05. • Yip, Spencer (2008-10-23)..

From the original on 2015-06-07. Retrieved 2014-02-22. From the original on 2010-05-12. Retrieved 2016-01-06. From the original on 2016-01-06. Retrieved 2016-01-06. From the original on 2014-08-11.

Retrieved 2016-01-06. From the original on 2016-01-06. Retrieved 2016-01-06. • ↑ Drewniak, Aaron (2004-08-03).. The Next Level. From the original on 2016-01-05. Retrieved 2016-01-05.

Retrieved 2014-02-22. • ↑ Kalata, Kurt (2008-03-19)... From the original on 2014-11-11. Retrieved 2014-03-14. From the original on 2004-10-11. Retrieved 2016-01-06.

• ↑ North, Dale (2008-07-07)... From the original on 2015-04-02. Retrieved 2015-05-25. • Young, Billy (2004-05-09)... From the original on 2015-09-20. Retrieved 2015-04-30.

• Dunham, Jeremy (2004-12-07)... From the original on 2005-02-07. Retrieved 2016-01-06. • Young, Billy (2014-03-12)... From the original on 2015-11-22. Retrieved 2004-10-02.